Today’s post is a rather mixed bag of vaguely-related topics. Lets kick off (ahem) with Kickstarter…
Last weekend I was supposed to be at Alt-Fest, a crowd-funded goth/metal/industrial festival that was shaping up to be awesome. Then three weeks ago it imploded spectacularly – cancellation rumours circulated on Twitter, before finally a statement was released saying they’d not sold enough tickets and had run out of money. I suspect the UK alternative community is too small to support such an ambitious festival, but it was worth a punt. I suspect that this could be the first and last large-scale crowdfunded festival.
I love the concept of Kickstarter, but I’m done for the time being. I went in with some friends on the Deadzone game, but by the time we received it we’d all rather lost interest in miniatures wargaming, so I’ve got a small pile of useless plastic I may never use.
It’s not all been bad. The other project I’ve backed recently is Julian Gollop’s Chaos Reborn, a remake of the best game ever made: the original Chaos on the ZX Spectrum. To be honest I don’t know if I’ll actually get around to playing the finished product, but as a ten year old I spent hundreds of hours playing dodgy copies of Chaos and Rebelstar, so I figured some back-payment was due. It’s looking pretty good though.
On a similar note I’m done with pre-ordering games as well, and I can pin that down to one game: X Rebirth. I’d been a fan of the X games since my university housemate made me play X-Tension years ago. It was a modern-day Elite with trading, shooting, pirates, space stations and fleets of ships. It was quite slow and the interface was awkward but I spent months building my space empire. The sequels were more of the same but bigger, better and prettier.
So I was aware that X Rebirth was going off in a slightly different direction, mainly by making it friendlier and more accessible, but obviously it was going to be good, right? There was a small pre-order discount and access to the soundtrack (which I loved in the earlier games and spent hours listening to) so I succumbed to a rare impulse purchase. A few weeks later and I was the proud owner of a (literally) unplayable mess. Frequent soft-locks, glaring bugs and things just not working made progress through the game impossible.
The worst bit though wasn’t the bugs, but was leaving your ship to walk around a station. There were all of two different station interior layouts, the NPC character models were straight out of System Shock 2, every character was incredibly rude when speaking to you (even they ones you’d employed) and the gameplay involved walking around looking for crates full of junk to sell back to people stood three feet away from them. Some sage advice: “if you can’t do something well, cut it from your game”. The have been a huge load of updates since, but I can’t bring myself to go back and play it again.
All is not lost is the space sim genre though. The most successful crowd-funded project of all time, Star Citizen, continues to attract cash at an alarming rate. I’ve not been following it too closely because I can’t see any way that it’ll ever be ready for release. I suspect it’s far too ambitious to ever lock down on a shippable feature set, but prove me wrong and release a decent game and I’ll buy it.
But! The real Elite is back and looking good! With a more sensible level of funding, Elite: Dangerous is already in beta for an expected release later this year. In a classic case of doing more with less it’s promising to be a worthy sequel, and I fully expect to while away many more hours in the dark depths of space. Finally this most venerable of genres is getting the attention it deserves, on the modern hardware that can do it justice.
Anyway, to make up for Alt-Fest here’s a few more bands I’ve been listening to lately.
I was looking forward to Bad Pollyanna last week, but instead I’ll be seeing them play the Whitby Goth Weekend later in the year. It’s catchy guitar tunes paired with a slightly retro horror-goth theme. Also try Monstrous Child.
I saw Leaves Eyes back in January, and my main memory is how genuinely happy and polite they all were! From Norway and Germany, they play some great Viking-themed symphonic metal. If you like the less heavy stuff, give singer Liv Kristine’s solo work a go.
Amaranthe is one of those bands I keep going back to without getting bored. Their three vocalists – female singer, male singer and male growler – keep things varied, with a nice mixture of metal styles and pop influences. I saw them in Nottingham earlier in the year and while their complicated sound meant the mix wasn’t perfect, I’ll certainly be going to see them again. Check out Razorblade and Electroheart.